《总路线》电影免费在线观看-八戒影院

总路线

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8.4 1929 其它 HD中字

总路线aristocratsgreatGreatCatherinecalled

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导演:谢尔盖·爱森斯坦，格里高利·亚历山德罗夫，

演员:Marfa，Lapkina，M.，Ivanin，Konstantin，Vasilyev，

描述:八戒影院(www.quanlong118.com)提供电影《总路线》高清完整版免费在线播放,它的演员是：Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev,它的导演是:谢尔盖·爱森斯坦,格里高利·亚历山德罗夫,它的上映时间是:1929年,它的语言为:其它,剧情主要讲述了:Due to some common interests between German and Russian aristocracy ( the Russians even had aristo

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片名：总路线
状态：HD中字
主演：Marfa Lapkina M. Ivanin Konstantin Vasilyev
导演：谢尔盖·爱森斯坦格里高利·亚历山德罗夫
年份：1929
地区：其它
类型：剧情
频道：内详
上映：1929-11-07
语言：其它
更新：2025-09-17 20:54
简介：Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye.　　It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.　　And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).　　Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.　　And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.

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